The title of Lydia Millet’s last novel – Dinosaurs – seems to wink at the threat of human extinction, and, yet, its explicit referent in the book is to birds, those sometimes-alien creatures who survived the impact of the asteroid that wiped out most of their kind. This kind of double meaning, something like a sign that points in multiple directions, abounds in Dinosaurs, which is at once a moving human narrative and a reflection on the ways in which our frailty puts us at the mercy of our shortcomings as a species but also, ultimately, serves as an opening to an economy of care. It was, as always, a great pleasure to talk to Lydia Millet about these and other matters. I hope you too will enjoy our conversation.